Gender wayang, a regional style of playing the gamelan, is performed in tandem with Balinese theater productions of the wayang performance. Their performances are utilized in the context of prayer rites (held in Balinese temples) and celebration ceremonies in Java. A single puppet may take a couple of weeks to make, whereas the whole set for a long story, which consist of hundreds of characters and background puppets, could take ages to complete. The sticks are used to control the movement of arms, legs, and even sometimes jaws of the puppets. The Wayang Kulit shadow puppets are of flat leather made from buffalo or cow skin with matching leather lace, then painted and braced onto sticks, and performed behind a stretch of white cloth. Most commonly found both in Java and Bali, they are still popular performances until today as cultural attractions that you wouldn’t want to miss out on. If you haven’t seen a Wayang Kulit shadow puppet play before, they are theatrical tales that illustrate myths, including scenes from Hindu epics such as the story of Ramayana and the Mahabharata, as well as folklore interpretations. The History of Indonesia’s iconic Wayang Kulit
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